Fruit Carving
On the way back
from Europe in 1985, my ticket allowed for a 3 day stopover in Thailand. This
was to be the first of many holidays for me in Thailand, ‘the land of smiles’.
I booked a day
tour to the Rose Gardens, once a resort for wealthy Thais taking a break from
the bustle of Bangkok. Now it is a showpiece of Thai culture in a magnificent
garden setting.
My day started
with an 8 a.m. pick up from my hotel. Although it is only 60km from the centre
of Bangkok, the coach took the scenic route, stopping at a sugar cane factory
for a morning tea break.
The coach
arrived at the Rose Gardens in time for lunch and a walk through the arts and
craft centre, before the start of the cultural show.
As I walked
through the centre, admiring the local displays, I saw for the first time, a
demonstration of fruit carving. I was fascinated by the blaze of colours and
intricacy of the work. The lady demonstrators made it look so easy. I stood
mesmerised as I watched watermelons being transformed into roses.
I saw many other
aspects of Thai culture on that first visit; traditional dancing, kick boxing,
working elephants, Thai temples and my first experiences with Thai food, but it
was the fruit carving that captured my imagination.
Back in
Australia I bought a watermelon, assembled my sharpest knives and started to
work. The end result could be called many things, but ‘success’ does not appear
in any of the descriptions. Over the next few months I destroyed several more
watermelons before I admitted defeat. To say that the Thai ladies made it look
simple is probably the biggest understatement I have ever made.
Several years
later I was leafing through the latest batch of circulars that had been
deposited in the mail box. One was from the local evening college, listing the
courses for the coming term. I flicked through the pages and because I have an
interest in good food, I paused in the cooking section. To my amazement, there
was a six week course on Thai fruit and vegetable carving. My dormant desire
was aroused.
Needless to say,
I enrolled and over the next six weeks, I spent three hours each Tuesday at
evening college. The teacher was a Thai lady who worked under contract for
several Sydney hotels, providing carved fruit and vegetable displays for
special occasions. She introduced me and the class to the Thai knives used for
carving. On subsequent trips to Thailand I have built up my own collection.
I shared the
class with a young chef who wanted to improve his skills and a number of older
ladies who, like me, wanted to try. We started with simple designs using basic
cutting techniques on carrots, cucumbers, leeks and onions. It progressed to
more intricate designs and more detailed cutting with beetroot and small
pumpkins. The pinnacle for me was when I carved a watermelon into a shape
resembling a pineapple. The shape was immaterial; the spectacle of colour with white-tipped
petals, cascading down over the red background, convinced me to keep going.
As a result of
the preliminary course, I was invited to attend a more advanced class being
conducted in the teacher’s own studio. Here the class was smaller and the work
much more intricate. My hands were now responsible for the transformation of a
watermelon into a simple rose. I took my first success home and photographed it
for posterity. It is now in an album next to my first disastrous effort from
1985. It holds pride of place, along with ‘baby’s first steps’. When we need a
laugh at a dinner party, I bring out the album.
After four
Sunday afternoons I graduated with a basic skill in Thai fruit and vegetable
carving. No certificate, no medallion, just a huge sense of satisfaction. I
still cannot achieve the delicate designs of the ladies at the Rose Gardens,
but I have satisfied my desires for carving fruit.
What am I doing
with my newly learned skill? I provide table centre pieces for family dinners
as well as providing something different and eye-catching for friends when they
have a special event. My work has been displayed at weddings, 21st
birthdays and a christening. It was the talk of several works luncheons and
office charity days; after the event, the display was auctioned for the charity
of the day.
Twice a year, I
attend a gathering at a Thai restaurant in Sydney. One at Christmas and the
other is a Christmas in July dinner. I am pleased to supply the table centre
piece for the enjoyment of everyone. The best compliment I received was when
the Thai owner’s daughter asked if she could take one of my watermelons to
school to show her class the art of Thai fruit carving.
There are some
benefits, other than seeing pleasure on people’s faces. To sit engrossed for 2
or 3 hours working on a display is very therapeutic. The worries and stresses
of the day dissolve as the work progresses…. And, I can eat my mistakes!
Ken Windsor ©
2012
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